Principal monuments in Dhaka

Baitul Mukarram The Mughals built Dhaka into a magnificent city, with a sultan's palace, dozens of ornate mosques, covered markets, gardens and a huge citadel to protect it from pirates and foreign powers.
(From http://visitdhaka.blogspot.com/2008/07/tourist-spots-in-dhaka.html )

Baitul Mukarram Mosque is the National Mosque of Bangladesh. Its construction began on 27 January 1960, and has been going on in phases. In the late 1950s Dhaka grew very rapidly. Abdul Latif Ibrahim Bawani first came up with the idea of building a grand mosque with a large capacity. The 'Baitul Mukarram Mosque Society' was formed in 1959 to facilitate the project. Land was allocated for the mosque complex at the meeting point of Old and New Dhaka. The site was also in close proximity to the central business district of the city. Architect T Abdul Hussain Thariani was commissioned to design the mosque complex. The plan included shops, offices, libraries and parking areas within the complex. The design of the mosque reflects the architecture of the period as can be seen from the use of a white and almost cube-form for the main building. A Mosque without a dome over the roof of its main prayer hall must have been a unique experiment. The main building is eight storied and 99 feet high from the ground level. According to the original plan, the main entrance of the mosque was to be on the eastern side. The shahan on the east is 29,000 square feet with ablution space on its south and north sides. The absence of a dome on the main building is compensated by the two shallow domed entrance porticoes, one on the south, and the other on the north. The elevation of these porticoes consists of three horseshoe shaped arches, the middle of which is bigger than the rest. Two patios ensure that enough light and air enter the prayer hall. The area of the main prayer hall is 26,517 square feet with a mezzanine floor of 1,840 square feet at the eastern side. The hall is surrounded by verandas on three of its sides. The mihrab of the hall is rectangular instead of semi-circular. Excessive ornamentation is avoided throughout the mosque, since minimizing ornamentation is typical of modern architecture. According to Thariani's original plan, the minar was a detached structure on the south side of the main building. However, two new minars are now under construction according to a new plan. The Baitul Mokarram mosque is modern in its architectural style. But it has not discarded traditional principles of mosque architecture. It has found its place in the hearts of the Muslims because of the resemblance of its form to the famous Kaba at Mecca.

(From BANGLAPEDIA, the National Encyclopdedia of Bangladesh )




The Old City is a veritable labyrinth of narrow streets and alleys, difficult to find your way around without a guide. Running along the waterfront is the Bund, a bustling street that overflows with rickshaws and vendors, sweaty workmen in white loincloths humping goods up from the ghats, and eager commuters rushing down to the ferry piers.

(From http://visitdhaka.blogspot.com/2008/07/tourist-spots-in-dhaka.html )

Shaheed Minar monument built in memory of the mother language martyrs, who were killed on 21 February 1952 during the language movement. A memorial to the martyrs was built immediately after the killings, on 23 February 1952. The memorial became a focal point for the city dwellers and became the symbol of protests. People thronged there in groups. The memorial was formally inaugurated by abul kalam shamsuddin, the then editor of the daily azad, on the morning of 26 February. Police cordoned the Medical College hostel that afternoon and demolished the monument. Although the monument was demolished, the Pakistani ruling coterie could not efface the memory of the martyrs. Innumerable small memorials on the same model were built all over the country, specially in the educational institutions. In 1953 the students and youth community of the country observed 21 February as 'Shaheed Dibas' (martyrs' day). A replica of the memorial in red paper was installed in 1953 in the yard of the Medical College Hostel at the spot where the first memorial had been built. It was covered with a black cloth. From that symbolic Shaheed Minar, students launched their prabhat pheri (mourning procession) on 21 February for the first time that year. The following year (1954) as well the students observed Shaheed Day in a similar manner. The United Front Government assumed power on 3 April 1954. In the Session of 9 May the government announced that, according to their commitment in the 21-point programme, the Shaheed Minar would be built. 21 February was declared as Shaheed Day and also as a public holiday. However, the United Front Government could not execute its decision as it was ousted from power on 30 May the same year. The foundation stone of the Shaheed Minar was laid for the second time on 21 February 1956 by Abu Hossain Sarkar, the then Chief Minister of East Pakistan, along with Maulana abdul hamid khan bhasani and Hasina Begum, mother of Abul Barkat, the language martyr. Simultaneously, 21 February was formally declared Shaheed Day and also a public holiday. In 1957, with an Awami League government in power in East Pakistan, the construction work of the Shaheed Minar commenced in the yard of the Medical College Hostel. hamidur rahman had designed a massive Shaheed Minar complex on a large tract of land. In the design there was a half-circular column as a symbol of the mother and her martyred sons standing on the dais in the main part of the monument. Many yellow and deep blue pieces of glass were to be imbedded in the column as symbols of eyes from which the rays of the sun would be reflected. Besides these, there was to be a railing adorned with the Bangla alphabet in front of the monument complex and also two footprints, one red and one black, symbolising the two opposing forces. The design also included a museum, a library and a series of mural paintings. At one end there was supposed to be an eye-shaped fountain with a high undulating platform. Based on this design, the construction work was started in November 1957. Hamidur Rahman, assisted by Novera Ahmed, supervised the construction. During this time the basement, platform and some of the columns were completed. The rails, footprints, some of the murals as well as three sculptures by Novera Ahmed were also finished. However, marital law was promulgated in 1958 and the construction was stopped. Despite this, people continued to visit the Shaheed Minar to place floral wreaths and hold meetings. It was inaugurated on 21 February 1963 by Hasina Begum, the mother of Barkat. Though reduced and curtailed, the Shaheed Minar became the symbol of the spirit of the Language Movement in the mind of the people. During the war of liberation in 1971, the Pakistani army again demolished the Minar and placed a signboard there with the word 'Mosque' written on it. The mosque was not built, and in 1972, in an independent Bangladesh, initiatives were taken to construct the Shaheed Minar anew. This time also the construction was hastily completed according to the abridged design of 1963. In 1976 a new design was approved, but it was not implemented. Subsequently in 1983, the Shaheed Minar was expanded to its present dimensions. The Shaheed Minar, with all its architectural and sculptural imperfections, still stands as a symbol of the linguistic and nationalistic struggle of Bangladeshis.

(From BANGLAPEDIA, the National Encyclopdedia of Bangladesh )

Ahsan Manzil , the palace of the last Nawab of Dhaka, stands just behind the waterfront. It's now fully restored. Situated at Kumartoli of Dhaka on the bank of the Buriganga, was the residential palace and the kachari of the nawabs of dhaka. It has been turned into a museum recently. It was said to be the Rang Mahal of Sheikh Enayetullah, a zamindar of Jamalpur pargana (Barisal) during the time of the Mughals. Having purchased it from his son Matiullah, the french made it their trading centre. Khwaja alimullah bought it from the French in 1830 and converted it into his residence, effecting necessary reconstruction and renovations. Nawab Khwaja Abdul ghani engaged Martin & Company, a European construction and engineering firm, to make a master plan for their residence. The construction of the palace was begun in 1859 and completed in 1872. Abdul Ghani named it Ahsan Manzil after his son Khwaja ahsanullah. At that time the newly built palace was known as Rang Mahal and the earlier one was called Andar Mahal. On April 7, 1888, a terrible tornado caused severe damage to Ahsan Manzil, particularly the Andar Mahal that was entirely damaged. Nawab Ahsanullah rebuilt the Andar Mahal and also repaired the Rang Mahal using good quality bricks from Raniganj for this purpose. The exquisite dome of the present Rang Mahal was interposed. Ahsan Manzil was badly damaged again by the earthquake of 12 June 1897. However, Nawab Ahsanullah had it repaired again. Ahsan Manzil is one of the significant architectural monuments of the country. Established on a raised platform of 1 metre, the two-storied palace measures 125.4m by 28.75m. The height of the ground floor is 5 metres and that of the first floor 5.8 metres. There are porticos of the height of the ground floor, both on the northern and southern sides of the palace. An open spacious stairway has come down from the southern portico, extending upto the bank of the river through the front garden. There was once a fountain in the garden in front of the stairs, though it does not exist today. The spacious north and south verandas of both the floors rest on semicircular arches. The verandas and rooms are covered with marble. To construct the dome of Ahsan Manzil, the square room on the ground floor was given a round shape with brickwork in the corners. The room was then given an octagonal shape near the roof by squinches. This octagonal shape took the form of the drum of the dome. Finally, the kumud kali (buds of lotus) shaped dome was constructed by gradually slanting the eight corners to the peak. The dome is 27.13 m high from the ground. Internally, the palace is divided into two symmetrical halves on either side of the dome. There is a large drawing room in the east wing of the first floor. On its northern side there is a library and a card room, and in the eastern corner there are four square rooms. On the western wing of the first floor there is a spacious Jalsaghar with a Hindustani room on the northern side and four square rooms in the western corner. The vaulted artificial ceilings, made of wood, in the drawing room and the Jalsaghar, look very exquisite. The floors of these two rooms are made of wooden planks. On the ground floor there is a big dinning hall and six square rooms in the eastern part. In the western side, there is a gigantic darbar hall and to its north is a billiard room. The floors of the dining and darbar halls are decorated with white, green and yellow coloured ceramic tiles. The famous strong room, where the valuables of the nawabs used to be stored, was in the middle of the five rooms located in the western half of the ground floor. There are attractive wooden stairs in the room that is attached to the north of the domed room. The balusters were ornamented with vine leaves made of iron along the railing of the stairs. The wooden ceiling of the room, decorated with geometric designs, is very elegant. A visitor's book bound in gold used to be kept by the stairs during the halcyon days of the nawabs. Distinguished visitors to the palace would note down their observations. The thickness of the walls of the palace is about 0.78 metres. The doorways are placed within semicircular arches. The inner doors had multi-coloured glasses and the exterior ones were of wood with designs. Wooden beams supported the roof of these rooms. The height of the two-storeyed inner house is less than the height of the Rang Mahal. Nevertheless, the wide southern verandas on both floors and the parapet on top offer a delicate look that is in harmony with the Rang Mahal. Iron beams have been used in constructing the roof. Ahsan Manzil, an architectural treasure, is a witness to many historical events of Bangladesh. From the last part of the 19th century to the initial years of Pakistan, the Muslim leadership of East Bengal emerged from this palace. The nawabs of Dhaka used to conduct their court affairs here as chief of the panchayet (village council) everyday. Many anti-Congress meetings were held here under the patronisation of Nawab Ahsanullah, a staunch believer in Muslim identity. Almost all the Viceroys, Governors and Lieutenant Governors of British India who visited Dhaka spent some time at the Ahsan Manzil. In 1874, Lord northbrook, Governor General of India attended an evening function here in the palace when he came to lay the foundation of a water works installed by Nawab Abdul Ghani. In 1888, Lord dufferin also accepted the hospitality offered at Ahsan Manzil. In 1904 Lord curzon, on a visit to East Bengal, stayed in this palace on 18 and 19 February to win public support for the proposed partition of bengal. Almost all political activities of Nawab Khwaja sallimullah centred round this palace. Ahsan Manzil was the cradle of the all india muslim league. With the decline of the nawabs of Dhaka, Ahsan Manzil also started to decline. When in 1952 the Dhaka Nawab State was acquired under the East Bengal Estate Acquisition Act, it became impossible for the successors of the nawabs to maintain the palace due to financial constraints. Nawab Khwaja habibullah started living at Paribag Green House soon after the acquisition of the zamindari. The palace was on the verge of collapse in no time as successors rented out rooms without considering its dignity. Over the years illegal occupants turned the place into a filthy slum.Recognising the historical and architectural importance of the Ahsan Manzil, the government of Bangladesh took the initiative to renovate it. In 1985 Ahsan Manzil and its surroundings were acquired. After the completion of the renovation work in 1992 under the supervision of the Directorate of Public Works and Architecture, it was brought under the control of bangladesh national museum (20 September 1992). A museum has been established there.

(From BANGLAPEDIA, the National Encyclopdedia of Bangladesh )




Star Mosque is situated in Abdul Khairat Road, Armanitola, in the old part of Dhaka City. The mosque is not dated by any inscription. It is known that one Mirza Golam Pir, whose ancestors had come to Dhaka and settled in Mohalla Ale Abu Sayeed (present-day Armanitola), erected it. Mirza Golam Pir died in 1860, and hence the date of construction of the mosque may conveniently be placed in the first half of the 19th century. Originally it was an oblong (10.06m × 4.04m) three-domed mosque. There were three mihrabs on the Qibla wall in alignment with the three doorways of the mosque, of which the central one was larger than the side ones. The prayer chamber was roofed with three domes, the central one being taller and larger than the other two. The domes are carried in the interior on squinches. The original mosque building was not as decorated as it is now. The dilapidated plain and naked wall of the western side bears witness to the plainness of the past. The three southern doorways of the mosque are no doubt the old ones. In 1926 a local businessman named Alijan Bepari added a verandah to the mosque on its eastern side, thereby almost doubling the width of the mosque without changing its original plan. Five arches were erected on four pillars on the eastern facade of the verandah. He also financed its resurfacing with delicate and richly coloured tiles of variegated patterns. In 1987 the three-domed mosque was transformed into a five-domed mosque. At present, the length and breadth of the mosque is 21.34m and 7.98m respectively. Some changes took place in its plan; one mihrab was demolished and two new domes and three new mihrabs were added. Five arched doorways provide entrance to the mosque. The multifoiled arches spring up from octagonal pillars. The mosque, both inside and outside, is decorated with mosaic. Small chips of Chinaware-plate, cup etc and pieces of glass have been used for mosaic. This type of mosaic is called 'Chini Tikri' work. Vase with flowers is an important decorative motif on the spandrel of the arches and elsewhere on the facade. Flower-vases, flower branches, russet, crescent, star, and Arabic calligraphic writing have been used in the decoration of the mosque. The outer wall between the doors are decorated with the motif of Fujisan (Mount Fuji) on glazed tiles and a crescent-and-star design decorates the upper part of the facade. Hundreds of blue stars have been created on the domes of white marble. All over the mosque the motif of stars dominate the decoration and so the mosque is called the Star Mosque (Tara Masjid).

(From BANGLAPEDIA, the National Encyclopdedia of Bangladesh )

The old Armenian Church is one of the few remnants of the large community of Armenian and Greek traders who settled Dhaka in the late 18th century. They weren't the only ones attracted by the dazzle of Mughal Dhaka. Portuguese, Dutch, British and French all came here to trade during the 17th century, establishing their own enclaves along the waterfront. They tussled with one another for the favour of the Mughals, but it was the British who finally triumphed (as they did in most of India) and took Dhaka as their own in 1765. Under the British an entirely new colonial city was built to the north of what became the Old Town. Great government buildings and posh bungalows arose along the shaded avenues. And Dhaka continued to prosper on trade, this time as a conduit of raw commodities from jute, sugar, tea and indigo plantations established by British planters in the interior of what was then Bengal province.
(From http://visitdhaka.blogspot.com/2008/07/tourist-spots-in-dhaka.html )

Lalbagh Fort or Fort Aurangabad, an incomplete Mughal palace fortress at Dhaka on the river Buriganga in the southwestern part of the old city. The river has now gone further south and flows at quite a distance from the fort. D'Oily's painting (1809-11) shows that more than half of this east-west oblong fortress touched the water of the river on its south and southwestern sides. The construction of the fort was commenced in 1678 AD by prince muhammad azam during his 15 month long vice-royalty of Bengal, but before he could complete the work he was recalled by aurangzeb. His successor, shaista khan did not continue the work, though he stayed in Dhaka up to 1688. His daughter bibi pari (Lady Fairy) died here in 1684 and this led him to consider the fort to be ominous. For long the fort was considered to be a combination of three buildings (the mosque, the tomb of Bibi Pari and the Diwan-i-Aam), two gateways and a portion of the partly damaged fortification wall. But recent excavations carried out by the Department of Archaeology of Bangladesh have revealed the existence of other structures and it is now possible to guess a more or less complete picture of the fort. In the present fort area of 18 acres, excavations have revealed remains of 26/27 structures with elaborate arrangements for water supply, sewerage, roof gardens, and fountains. Renovation work by the Archaeology Department has now put Lalbagh Fort in a much-improved shape and has now become an interesting spot for tourists and visitors. Of the three surviving gateways, the southern one is the most imposing. Seen from the front it is a three storeyed structure with a fronton, bordered with slender minarets. From inside it gives the impression of a two storeyed structure. The gateway on the northeast is a much smaller and simpler structure. It is gathered from structural evidence that the fort extended to the eastern side beyond the present Shaista Khan Road. The third gate, now in the centre of the northern boundary wall, was left incomplete. The present one is a recent construction. The southern fortification wall, running westward from the South Gateway went up to the huge bastion in the southwestern corner of the fort. Then the fortification ran northward for a distance and then it is lost. The boundary wall on the eastern side connecting the southern and northern gateways is a modern wall and it is now assumed that the fort originally embraced areas further east beyond the present Shaista Khan Road. On the northern side of the southern fortification were placed utility buildings, such as the stable, the administrative block, and its western part accommodated a beautiful roof-garden with arrangements for fountains and a water reservoir. The residential part was located on the eastern side of the western fortification, mainly to the south-west of the mosque, where the remains of a sewerage line have been found. The southern fortification is a twin wall, the outer one is about 6.10m high and 1.37m thick, while the inner one is 13.72m high with same thickness. The two are solid up to the height of 6.10m and there are regular openings in the upper part of the inner wall. The original fortification wall on the south had 5 bastions at regular intervals and the western wall had 2 bastions. Among the 7 bastions the biggest one is near the main southern gate at the back of the stable, which occupies the area to the west of the gateway. The bastion had an underground tunnel. Among the five bastions of the southern fortification the central one was single storeyed, the rest are double storeyed structures. The central one contains an underground room with veranda on three sides, and it can be approached either from the riverside or from its roof. The double-storeyed bastion at the southwestern corner of the fort was possibly a Hawakhana, with a water reservoir on its roof. Two lines of terracotta pipes have been found, which connected all establishments of the fort with this reservoir. An extra-strong terracotta pipe line made with double pipes, one inside the other, have been uncovered in the area between the Hammam and the tomb of Bibi Pari.The area westwards from the stable parallel to the southern fortification once had a beautiful roof garden with fountain, rose and star designs marking the flowerbeds, and a water reservoir. The buildings underneath contained the administrative blocks and the residential part on the western side. The central area of the fort is occupied by three buildings - the Diwan-i-Aam and the Hammam on its east, the mosque on the west and the tomb of Bibi Pari in between the two - in one line, but not at equal distance. A water channel with fountains at regular interval connect the three buildings from east to west and two similar channels run from south to north, one through the middle of the ground in between the Diwan-i-Aam and the tomb forming a square tank with fountains at the intersection with the east-west channel, and the other from the water reservoir passing through the bottom of the tomb.
The water channels and the fountains, a very common feature of Mughal architecture, set an atmosphere not very unlike north Indian Mughal forts. A big square water tank (71.63m each side), placed in front (to the east) of the Diwan-i-Aam and in between the southern and northern gateways, adds to the beauty of the building. There are four corner stairs to descent into the tank. The double storeyed Diwan-i-Aam attached with a single storeyed Hammam on its west is an imposing building. The Hmmam complex includes an open platform, a small kitchen, an oven, water storage area, a masonry brick bath-tub, a toilet, a dressing room and an extra room. The Hammam portion has an underground room for boiling water and a passage for sweepers. A long partition wall runs north-south along the western facade of the Hammam dividing the whole fort area into two divisions. The building in the middle, the tomb of Bibi Pari, is the most impressive of the surviving buildings of the fort. Eight rooms surround a central square room, containing the mortal remains of Bibi Pari, which is covered by a false dome, octagonal in shape, and wrapped by brass plate. The entire inner wall of the central room was covered with white marble, while the four side central rooms had stone skirting up to a height of one metre. The wall in the four corner rooms was skirted with beautiful glazed floral tiles. The tiles have recently been restored; two of the original tiles have been retained. The southeastern corner room contains a small grave, popularly known to be of Shamsad Begum, possibly a relative of Bibi Pari. The Lalbagh Fort Mosque is a three-domed mosque with a water tank in front (on the eastern side) for ablution. The archaeological excavations have revealed strata of the Sultanate as well as of the pre-Muslim periods, from where terracotta heads and plaques have been found. Thus it is now justified to say that though the Mughals founded Dhaka, it was definitely inhabited long before the Muslims came to Bengal.
(From BANGLAPEDIA, the National Encyclopdedia of Bangladesh )

Bangabhaban: Tourists can have a look (outside view only) of Bangabhaban, the official residence of the President.

(From http://visitdhaka.blogspot.com/2008/07/tourist-spots-in-dhaka.html )

National Martyrs' Memorial situated at Savar, about 35 km north-west of Dhaka, symbolises the valour and sacrifice of the martyrs who sacrificed their lives for the liberation of Bangladesh.
A national competition was held for the design of the project in June 1978. Among the fifty-seven competitors Architect Syed Moinul Hossain's design proposal was selected. The main monument is composed of seven isosceles triangular planes each varying in size in its height and base. The highest one has the smallest base while the broadest base has the lowest height. The planes are folded at the middle and placed one after another. The highest point of the structure reaches 150 feet. This unique arrangement of the planes has created a structure that seems to change its configuration when viewed from different angles. The architect has used concrete for the monument while all the other structures and pavements of the complex are made of red bricks. Use of different materials has added to the gravity of the monument. X pavements and cross an artificial lake by a bridge-all these represent the struggle for independence. The project was constructed in three phases. The first one, began in 1972, involved in acquiring land and constructing road for the project at a cos t of Tk 26 lacs. During the second phase, 1974 - 1982, Tk 3.77 crores were spent in order to build the mass-graves, helipad, parking space, pavements etc. In the third phase, began in August 1982, the main structure was built apart from the artificial lake, green belt, cafeteria, housing etc. The third phase required Tk 848.65 lacs. The Public Works Department of the Government of Bangladesh supervised the construction of the project.

(From BANGLAPEDIA, the National Encyclopdedia of Bangladesh )